The Everly Brothers - EB 84 (1984) - Lp

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The Everly Brothers were an American country-influenced rock and roll duo, known for steel-string acoustic guitar playing and close harmony singing.
Isaac Donald "Don" Everly (born February 1, 1937) and Phillip "Phil" Everly (January 19, 1939 – January 3, 2014) were elected to the Rock and Roll Hall of Fame in 1986 and the Country Music Hall of Fame in 2001.

EB 84 is a 1984 album by The Everly Brothers, and the duo's first album of new material in 11 years.
After their televised reunion concert, the Everlys made a commercial and artistic comeback with EB 84. With Dave Edmunds producing, Phil and Don brought their sound into the '80s while maintaining their trademark harmonies. Lifted by Paul McCartney's "Wings of a Nightingale" and Jeff Lynne's ethereal "The Story of Me," this record has more to offer than simply nostalgia.


They're singing as good as ever, but not the same as ever--with the harmonies more luxurious and soulful, they can finally pass for grown men as they approach fifty. Unfortunately, maturity doesn't suit them any better than Dave Edmunds's lacquered, interpretation-enhancing production, because mature interpretation will never be their forte. They may sound like grown men and they may sound soulful, but that doesn't mean they sound like soulful grown men--a certain emotional complexity eludes them. Of all these hand-tailored comeback-special songs, only Paul Kennerly's "The First in Line" and Don's own "Asleep" are simple enough to fit.

Side A
A1. On The Wings Of A Nightingale - 2:33
A2. Danger Danger - 3:26
A3. The Story Of Me - 4:11
A4. I’m Takin’ My Time - 2:46
A5. The First In Line - 2:57

Side B
B1. Lay, Lady, Lay - 3:14
B2. Following The Sun - 3:31
B3. You Make It Seem So Easy - 3:12
B4. More Than I Can Handle - 2:58
B5. Asleep - 4:10

Personnel
Notes
Release: 1984
Genre: Pop, Rock & Roll
Format: LP
Label: Mercury Records
Catalog# 822 431-1
Prijs: €7.95

Vinyl: Goed
Cover: Goed

Soundtrack - An Officer And A Gentleman (1982) - Lp

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An Officer and a Gentleman is a 1982 American romantic drama film starring Richard Gere, Debra Winger and Louis Gossett, Jr., who won the Academy Award for Best Supporting Actor for the film. It tells the story of Zack (Gere), a U.S. Navy Aviation Officer Candidate who is beginning his training at Aviation Officer Candidate School.
While Zack meets his first true girlfriend during his training, a local young woman named Paula (Winger), he also comes into conflict with the hard-driving Marine Corps Gunnery Sergeant (Gossett, Jr.), the drill instructor training his class.
The soundtrack was released on August 13, 1982 and reached #38 on the Billboard 200, it stayed on the chart for 23 weeks and top 50 for one week.
"Up Where We Belong" vocalists Joe Cocker and Jennifer Warnes earned a Grammy Award for Best Pop Vocal Performance, Duo or Group.

Other artist contributions to this soundtrack are: Dire Straits, ZZ Top, Lee Ritenour, Pat Benatar, Van Morrison, Buffy Sainte-Marie and Sir Douglas Quintet.







Side A
A1. J. Nitzsche - Main Theme From “An Officer And A Gentleman”  (1:41)
A2. Joe Cocker And Jennifer Warnes - Up Where We Belong  (3:55)
A3. Van Morrison - Hungry For Your Love  (3:40)
A4. ZZ Top - Tush  (2:15)
A5. Pat Benatar - Treat Me Right  (3:15)
A6. The Sir Douglas Quintet - Be Real  (2:35)

Side B
B1. Joe Cocker And Jennifer Warnes - Up Where We Belong  (3:55)
B2. Lee Ritenour - Love Theme From “An Officer And A Gentleman”  (5:19)
B3. Dire Straits - Tunnel Of Love  (8:13)
B4. J. Nitzsche / Buffy Sainte-Marie - The Morning After Theme  (3:09)

Companies, etc.
                             
Credits       
Notes
Release: 1982
Genre: Soundtrack, Pop, Rock
Format: LP
Label: Island Records
Catalog# 205209-320
Prijs: € 7.95

Vinyl: Goed
Cover: Goed
http://www.ad-vinylrecords.com/product/soundtrack-an-officer-and-a-gentleman-lp/

Leen Jongewaard - Leen Is Alive (1980) - Lp

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Leendert (Leen) Jongewaard (Amsterdam, 30 maart 1927 – Nice, 4 juni 1996) was een Nederlands acteur en zanger die vooral bekendheid genoot door zijn optreden in de televisieseries Ja zuster, nee zuster, 't Schaep met de 5 pooten en Citroentje met suiker en door zijn vertolkingen van liedjes zoals In een rijtuigje, Op een mooie Pinksterdag en M'n opa.
In het begin van de jaren 50 werd hij ontdekt door de directie van de toneelgroep Puck (Egbert van Paridon) en in 1953 maakte hij daar zijn debuut als beroepsacteur. Hij bleef meer dan tien jaar bij Puck (later Centrum genaamd).

Zijn televisiedebuut maakte hij als meneer Leeuwerik in het kinderprogramma Het mannetje op zolder, geschreven en geregisseerd door Mies Bouhuys, dat van 1959 tot 1960 door de AVRO uitgezonden werd.
Hij speelde in 1960 ook een aantal keren de rol van Lo Flodder in het AVRO kindertelevisieprogramma Varen is fijner dan je denkt met Piet Römer in de hoofdrol als meneer King, die met zijn schip 'De Krikkemikke' allerlei avonturen beleefde. Andere personages waren het keukenhulpje Zeefje (Cecilia Lichtveld), Mevr. Gracia Morena (Sepha Dierikx), Ageeth (omroepster Ageeth Scherphuis) en Piet Römers tweelingbroer Paul Römer in de rol van meneer Kong. Dit kindertelevisieprogramma was ook geschreven en geregisseerd door Mies Bouhuys. Van 1961 tot 1964 speelde hij de hoofdrol in de populaire televisieserie voor de jeugd Flip de Tovenaarsleerling; hiervan werden 26 afleveringen gemaakt.

In de jaren zestig nam Jongewaard deel aan diverse programma's, waaronder cabaret Lurelei met Sylvia de Leur, Mensen, hee mensen (1962), het radioprogramma De wilde vaart waar hij Conny Stuart voor het eerst ontmoette, en de musical Heerlijk duurt het langst (1965) van Annie M.G. Schmidt waar hij de rol van kruidenier Kees Bloem vervulde.

Hierna speelde hij de beroemde dubbelrol van inbreker Gerrit en diens Opa in de door Annie M.G. Schmidt geschreven televisieserie Ja Zuster, Nee Zuster met Hetty Blok in de rol van zuster Klivia. Blok en Jongewaard waren de enige solisten in dit programma die echt konden zingen. Bekende liedjes hieruit, waarin hij meedeed, waren M'n opa, In een rijtuigie (met Wim Sonneveld), Duifies, De oude Jacob en Ik krijg het weer.

Vervolgens speelde Jongewaard in twee televisieseries van Eli Asser, namelijk 't Schaep met de 5 pooten (1969) en Citroentje met suiker (1972-1974). Bekende liedjes uit deze series waren We benne op de wereld om mekaar te helpen, nietwaar? (1969), Als je mekaar niet meer vertrouwen kan (1970) en Het zal je kind maar wezen (1970).
Van 1980 tot 1984 reisde Leen Jongewaard met zanger Robert Long door het land met een drietal cabaretprogramma's waarvan Duidelijk zo? het eerste was. In het programma werden tal van onderwerpen behandeld die beide heren na aan het hart lagen, zoals homoseksualiteit, geloof en maatschappelijke misstanden.
Leen Jongewaard overleed op 4 juni 1996 aan een hartaanval tijdens zijn vakantie in Frankrijk. Hij werd begraven op Zorgvlied. Leen Jongewaard was jarenlang de levenspartner van Barrie Stevens.

In feite is het een album van Robert Long die de teksten en muziek schreef. Maar beide heren waren grote vrienden, dus het is zekers niet misplaatst. Leen heeft een eigen stemgeluid, die wat ouderwets aandoet. Geen echte warme stem, maar wel een die kleur aan de tekst weet te geven.
Robert Long laat zijn cynische en humoristische kan weer prima samengaan zoals te horen is op; Van Alles, Als je Oud Bent en Tolerant. De hoempapa schuurt en schurkt tegen de heilige huisjes van de maatschappij aan.

Vol nichtenvenijn en zelfspot. Maar het aller, allermooist is toch "Jos". De dramatiek van een oudereman die zich over een jongen heeft ontfermd, alles doet om de de jongen te behagen maar die de jongen ondanks dat (of juist daardoor) toch verliest. Jos' afscheidsbrief hoort tot het mooiste uit de Nedertekstgeschiedenis.

Side A
A1. Leen Is Alive  (4:30)
A2. Moederziel Alleen  (3:27)
A3. Van Alles  (4:28)
A4. Jos (met Robert Long) (7:00)
A5. Rel Del Del  (5:38)

Side B
B1. Als Je Oud Bent  (4:45)
B2. Een W.V.S.G.  (4:04)
B3. Vrij En Blij  (6:00)
B4. Die Fijne Jordaan (met Robert Long) (4:56)
B5. Tolerant  (5:30)

Credits        

Notes
Release: 1980
Genre: Nederlandstalig
Format: LP
Totale tijdsduur: 50:18
Label: EMI Records
Catalog# 1A 062-26602
Prijs: € 7.95

Vinyl: Goed
Cover: Goed/Voorkant kleine stickerschade

http://www.ad-vinylrecords.com/product/jongewaard-leen-leen-is-alive-lp/

Gary Fane - Horoscope (1980) - Lp

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Horoscope: Musical Interpretation Of The Zodiac is een ambitieus, orkestraal conceptalbum uit 1980 van zanger en arrangeur Gary Fane. Geert Veen komt uit Groningen en speelt na zijn verhuizing naar Amsterdam vanaf 1964 als bassist in Johnny Kendall & The Heralds, bekend van de hitsingle St. James Infirmary. Veen levert ook compositiebijdragen voor de band.
Na 1969 werkt hij drie jaar met Tony Alberti, de broer van Willeke Alberti, met wie hij drie singles opneemt. In de periode van de repetities met de band Breeze in 1972, samen met gitarist Fred Jansen en toetsenist Ed van Toorenburg, krijgt hij een aanbod mee te spelen in theatergroep Funhouse. Een opdracht voor het schrijven van muziek bij een film over het sterrenbeeld Waterman, inspireert Geert Veen tot een album over alle twaalf sterrenbeelden.

Hij werkt het idee uit samen Fred Jansen. Horoscope wordt door producer Jaap Eggermont opgenomen in de FPS Studio te Hilversum en Soundpush Studios te Blaricum.
De orkestopnamen vinden plaats in de Music Centre Studio in Londen met dirigenten Dick Bakker en Hans Hollestelle. Ook Jan Rietman is als arrangeur bij het project betrokken. De single Aquarius behaalt in 1980 de tiende plaats in de Top 40.
Lezers van de Hitkrant roepen de zanger in 1982 uit tot meest belovende Nederlandse artiest voor 1982. Met Jansen en Van Toorenburg neemt Gary Fane voor Ariola een volgend album op, maar uiteindelijk blijft het bij de uitgave van de single Love (1982) . Geert Veen is vanuit woonplaats Oostzaan nog steeds muzikaal actief.

Een geweldig album vind ik dit. Mooie songs en een prachtige ouverture. Het leverde Gary Fane zelfs een single hit op met Aquarius. Daarna werd hij helaas snel vergeten.
Dit is een opmerkelijk goed album van een Nederlands one-hit wonder. Een heus concept-album bovendien, waarvan de nummers mooi in elkaar overlopen.
Heeft veel weg van de albums van Alan Parsons Project, vooral door de orkestraties (vooral de prachtige Overture en Finale) en de relatief brave binnen-de-lijntjes aanpak. Toegegeven, het kan niet wedijveren met platen van APP, maar hier is hoorbaar met hart en ziel aan gewerkt.

Ik vind het trouwens opvallend hoe een nieuwkomer als Geert Veen voor dit project zoveel geld kon lospeuteren. Want behalve de (overigens sterke) productie van Jaap Eggermont doet hier een legioen aan Nederlandse topvocalisten en -musici aan mee, van Margriet Eshuijs en Monica Tjen a Kwoei tot Dick Bakker en Hans Hollestelle, en is het orkest in Engeland opgenomen.



Side A
A1. Overture    
A2. Aries    
A3. Taurus    
A4. Gemini Eyes    
A5. Cancer (No, No They Cant Take My Love Away)    
A6. Leo    
A7. Virgo    

Side B
B1. Libra Man    
B2. Scorpio Woman    
B3. Sagittarius    
B4. Capricorn (Dont Be Silly)    
B5. Aquarius    
B6. Pisces (Like The Tide)    
B7. Finale 

Credits
Musical Interpretation Of The Zodiac 

Notes
Release: 1980
Genre: Pop / Ambient
Format: LP
Label: CNR Records
Catalog# 671003
Prijs: € 7,95

Vinyl: Goed
Cover: lichte gebruikerssporen

http://www.ad-vinylrecords.com/product/fane-gary-horoscope-lp/

Alicia Bridges - Alicia Bridges (1978) - Lp

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Alicia Bridges (born July 15, 1953) is an American singer who co-wrote and performed her international hit "I Love the Nightlife (Disco 'Round)" in 1978.
In 1977 she was signed to Polydor Records. Her 1978 hit single "I Love the Nightlife (Disco 'Round)" reached number five on the Billboard Hot 100 chart and also appeared on Billboard's "Hits of the World" chart. The song was also in the #5 position on the Record World and Cash Box charts. It was also a "crossover" hit, receiving play even on country music stations. The cover of the 1978 self-titled LP features an early skyline picture of Atlanta, Georgia.

In 1978 Bridges was a Grammy nominee and was the opening act, performing "I Love the Nightlife". Bridges' self-titled LP, Alicia Bridges, was also rising on the Billboard, Cash Box and Record World charts and the LP remained on the charts for up to 35 weeks. Both the LP and the single release were international successes, and "I Love the Nightlife" went top 40 in the UK and Germany, Spain and other European countries. Bridges' music was especially popular in Japan as well. She received an

RIAA Certified Gold Record for the sale of over one million copies of her hit single in the USA, as well as a gold record from Canada.
Contrary to the impression created by her success with "I Love the Nightlife", Alicia was primarily a singer of rock, blues and love songs. "I Love the Nightlife" has a definite back beat and organ similar to early 1970s R&B; the original intention was for "I Love the Nightlife" to be an R&B song, but when publishing mogul Bill Lowery first heard the song, he envisioned it as a disco dance tune. Soon after, Jim Burgess created a 12" single remix. Ultimately this mix became a worldwide hit. The song has been featured in several movies, including Love at First Bite, The Last Days of Disco and The Adventures of Priscilla, Queen of the Desert.
Bridges' second single, "Body Heat", was a rock song with strong electric guitar rhythms. It was a "rock/dance" song released at a time when there was some rivalry between disco fans and rock fans; this time period began to see more songs which mixed the genres of rock and disco to create a "rock/disco" flavor.


In an interview, Bridges mentioned Elvis Presley as the singer who originally aroused her interest in rock music but she has always considered herself an R&B singer. She cited Tina Turner, Aretha Franklin, Gladys Knight and Patti Labelle as her 70's influences. She said that she didn't care for white female singers as a rule with the exception of Joni Mitchell and Janis Joplin. She complained that white women sounded like they were "sleepwalking" through their performances. "Yeah, I jump around a lot when I'm performing," she said.

Side A
A1. Body Heat (3:02)
A2. Break Away (3:27)
A3. High Altitudes (5:01)
A4. We Are One (4:20)
A5. City Rhythm (3:38)

Side B
B1. I Love The Nightlife (Disco 'Round) (3:09)
B2. In The Name Of Love (4:07)
B3. Self Applause (3:22)
B4. Diamond In The Rough (3:28)
B5. Broken Woman (4:20)

 Personnel
  • Alicia Bridges: Lead & Backing Vocal
  • Bernardine Mitchell, Keith "Doc" Samuels, Vinni O'Neal: Backing Vocals
  • Steve Buckingham, Ken Bell: Guitars
  • John Fristoe: Guitars, Backing Vocal
  • Randy McCormick: Organ, Piano, Synthesizers, Clavinet, Melodica
  • Alan Feingold, Steve McRay: Organ
  • Tom Robb: Bass
  • Roy Yeager: Drums
  • Mickey Buckins: Percussion
Production
  • Produced by Seve Buckingham for The Lowery Group
  • Engineered by Milan Bogdan, Pete Turbiville, Rodney Mills & Tad Bush
  • Mix & re-mixed By Rodney Mills
  • Mastered by Bob Ludwig
Notes
Release: 1978
Genre: Disco, Pop, Funk
Format: LP
Label: Polydor Records
Catalog# 2391364
Prijs: 6,75

Vinyl: Goed
Cover: Kleine Gebruikerssporen

Red Rider - Don´t Fight It (1979) - Lp

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Red Rider, later known as Tom Cochrane & Red Rider, is a Canadian rock band popular in the 1980s.
While they achieved great success in Canada, the band never had a song in the Top 40 in the United States, although "Lunatic Fringe" became a hit on album-oriented rock radio.
Red Rider was formed in Toronto in 1975 when Peter Boynton (keyboards, synthesizers, vocals), Ken Greer (guitars, keyboards, backing vocals) and Rob Baker (drums) joined up with Arvo Lepp (guitar) and Jon Checkowski (bass) and began playing around Toronto, performing both original and cover music.

In 1978 their manager at that time was contacted by Capitol Records about adding singer/guitarist/composer Tom Cochrane to the group.
Tom was invited to one of the band's gigs in London, Ontario to rehearse with them. Boynton, Greer and Baker were impressed with Tom's playing and songwriting but Lepp and Checkowski were not as enthused over him and decided to leave the band.
Jeff Jones (formerly with Ocean and the original bassist for Rush) was then brought in on bass, and it was the lineup of Cochrane, Boynton, Greer, Baker and Jones that were signed to Capitol and released their first album Don't Fight It in October 1979.
With the singles "White Hot" and "Don't Fight It", the album quickly reached gold status.


Released shortly after the successful single "White Hot," Don't Fight It shows Red Rider balancing between the folk roots of lead singer Tom Cochrane and the more progressive rock tendencies of the rest of the band. Indeed, while the single "White Hot" (which is also included here) was different enough from other commercial music on the radio at the same time to attract some attention, the rest of the album is fairly traditional pop/rock. (The track "Good News," for example, sounds almost distressingly like one of the Doobie Brothers' soul-tinged pop songs.)


The album reached number 146 on Billboard's Pop Albums chart while "White Hot" reached number 20 on the Canadian charts and number 48 on the Pop Singles chart in 1980 and "Don't Fight It" reached number 75.
The song "White Hot" is about poet Arthur Rimbaud and his travels through Africa.

Side A
A1. Don’t Fight It (4:25)
A2. How’s My Little Girl Tonight (4:05)
A3. Iron In The Soul (3:00)
A4. Make Myself Complete (3:40)
A5. Good News (3:59)

Side B
B1. White Hot (5:07)
B2. Talkin’ To Myself (3:30)
B3. Just The Way It Goes (3:46)
B4. Look Out Again (3:47)
B5. Avenue “A” (3:23)

Companies, etc.
Credits
Notes
Release: 1979
Genre: Rock
Format: LP
Label: Capitol Records
Catalog# ST-12028
Prijs:  €8,95

Vinyl: Goed
Cover: Goed

Soundtrack - It´s My Turn (1980) - Lp

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It's My Turn is a 1980 American romantic comedy-drama film starring Jill Clayburgh, Michael Douglas and Charles Grodin.
The film was directed by Claudia Weill and written by Eleanor Bergstein.
The producers of It's My Turn cut out an erotic dancing scene from Bergstein's screenplay, which sparked her to go on and write a new script that would become the 1987 hit film Dirty Dancing.
The film's title track, played during the final credits—"It's My Turn"—was sung by Diana Ross, with music by Michael Masser and lyrics by Carole Bayer Sager.
It was released as a single and became a top ten hit on the Billboard Hot 100, peaking at number nine.

"It's My Turn" is a 1980 song used as the theme to the film of the same name. The song, written by Carole Bayer Sager (lyrics) and Michael Masser (music) for Diana Ross, was released as a single and became a top ten hit on the Billboard Hot 100, peaking at number nine, and at number 14 on the soul chart.
Also a contribution from Ozone with the track "Walk On" and "This Is My Love" Vocals By – Tony Travalini.

Side A
A1. Medley: Main Title / It’s My Turn (2:20)
A2. It’s My Turn (Vocal) (3:58)
A3. An Honest Talk (2:50)
A4. Medley: Love Begins / It’s My Turn (3:10)
A5. It’s My Turn (Instrumental Version) (3:59)

Side B
B1. This Is My Love (3:34)
B2. It’s My Turn (Jazz Version) (5:16)
B3. Walk On (Vocal) (Vocals By – Ozone) (4:31)
B4. It’s My Turn (Instrumental Version) (3:38)

Credits
Notes
Release: 1980
Genre: Stage & Screen , Soundtrack, Soul
Format: LP
Label: Motown Records
Catalog# M8-947M1
Prijs: € 5:95

Vinyl: Goed
Cover: Kleine beschadiging

http://www.ad-vinylrecords.com/product/soundtrack-its-my-turn-lp/

The Alan Caddy Orchestra & Singers - Million Copy Hits Made Famous by Simon & Garfunkel (1972) - Lp

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Alan Caddy (2 February 1940 – 16 August 2000) was a guitarist, arranger, record producer and session musician.
He was born in Chelsea, London, and educated at Emanuel School, and the Royal Academy of Music where he learned the violin. He was lead guitarist in the first, seven-man line-up of Johnny Kidd & the Pirates, and was the only member to remain with Kidd when the singer re-invented the "stage look" of the act, alongside bassist Brian Gregg and drummer Clem Cattini. While searching for a suitable rhythm guitarist, Caddy's playing evolved into a style that played rhythm and lead in a chunkier style.
The band felt this worked and Kidd liked the way he and his Pirates looked onstage, with him in front of Cattini, flanked by Gregg and Caddy, all in full pirate regalia.

Alan Caddy Orchestra and Singers Pay Tribute To SIMON and GARFUNKEL".
Simon and Garfunkel. Namest o conjure with indeed.
Here, o none album, a collection of some of their greatest hits, every one a masterpiece of contemporary music.
Their writing talent challanges the greatest around, and they have consistently topped the charts, both singles and albums, all over the world.
On this album, their songs are brilliantly re-created and we know you will really enjoy this tribute to this great duo.

Companies, etc.
Credits
Side A
A1. Mrs. Robinson 
A2. I Am A Rock
A3. 59th St. Bridge Song
A4. The Boxer
A5. Keep The Customer Satisfied
A6. Homeward Bound

Side B
B1. Bridge Over Troubled Water
B2. Sound Of Silence
B3. Cecilia
B4. El Condor Pasa
B5. Scarborough Fair

Notes
Release: 1972
Genre: Jazz, Easy Listening
Format: LP
Label: Boulevard Records
Catalog# 4086
Prijs: € 7,00

Album: Goed
Cover:  Goed

Sandy Posey - Born A Woman (1982) - Lp

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Sandy Posey (born June 18, 1944) is an American popular singer, who enjoyed success in the 1960s with singles such as her 1966 recording of Martha Sharpe's composition, "Single Girl." She is often described as a country singer, although, like Skeeter Davis (to whom she has been frequently compared) her output has varied.
Later in her career, the term "countrypolitan," associated with the "Nashville sound", was sometimes applied. Posey had four hit singles in the United States, three of which peaked at number 12 on the Hot 100.
Sandy Posey was born Sandra Lou Posey in Jasper, Alabama. She graduated from high school in West Memphis, AR in 1962. Posey obtained work as a session singer, after she was recommended by an aunt to an acquaintance who worked in television.
In addition to working as a receptionist at a studio in Memphis, she took part in recording sessions across the Deep South including sessions produced by Lincoln “Chips" Moman for Elvis Presley and on Percy Sledge’s "When a Man Loves a Woman" (a number one hit in the US in 1966). Other singers whom she backed included Joe Tex, Bobby Goldsboro and Tommy Roe.

Posey turned to the country music field in 1971, signing with Columbia Records and produced by Billy Sherrill. Sherrill had just successfully turned another 1960s pop star, Jody Miller into a leading country female vocalist and it appeared Posey might be another one when the first single, "Bring Him Safely Home to Me" hit the top 20. However it was not to be with only two other singles barely scraping into the top 40.
 Posey signed with Monument Records in 1976 with just one single to chart and later in the year moved to Warner Bros. Records. Her first single for the label inauspiciously peaked at No. 93 but in 1978 and 1979 enjoyed three top 30 country hits before this brief comeback faded away with the new decade.
Posey occasionally recorded as a solo artist into the early 1980s but she reverted to occasional background session work and later briefly performed as a background vocalist for Skeeter Davis on an international tour. She made a number of country recordings with a religious theme after embracing Christianity in 1974.

Side A
A1. She’s Got You
A2. Young Love
A3. Since I Met You Baby
A4. Don’t Break The Heart That Loves You
A5. So Sad (To Watch Good Love Go Bad)
A6. Don’t Say Nothin’ Bad (About My Baby)
A7. I Love How You Love Me
A8. Be My Baby

Side B
B1. Born A Woman
B2. Single Girl
B3. I Take It Back
B4. Put Your Hand In The Hand
B5. Let’s All Go Down The River
B6. Devoted To You
B7. I Will Follow Him
B8. All I Have To Do Is Dream

Notes
Release: 1982
Genre: Country
Format: LP
Label: K-Tel Records
Catalog# TN 1791

Vinyl: Goed
Hoes: Goed

http://www.ad-vinylrecords.com/product/posey-sandy-born-a-woman-lp/